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・ Arthur Bostrom
・ Arthur Bottom
・ Arthur Bottomley
・ Arthur Boucher
・ Arthur Bourchier
・ Arthur Bourinot
・ Arthur Bourns
・ Arthur Bowen Davies
・ Arthur Bowers
・ Arthur Bowes Smyth
・ Arthur Bowie Chrisman
・ Arthur Bowring
・ Arthur Box
・ Arthur Boyars
・ Arthur Boycott
Arthur Boyd
・ Arthur Boyd Houghton
・ Arthur Boyer
・ Arthur Boyle
・ Arthur Bradfield
・ Arthur Bradfield Fairclough
・ Arthur Bradford
・ Arthur Bradford (footballer)
・ Arthur Brady
・ Arthur Brampton
・ Arthur Branch
・ Arthur Brand
・ Arthur Branighan
・ Arthur Brauss
・ Arthur Braverman


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Arthur Boyd : ウィキペディア英語版
Arthur Boyd

Arthur Merric Bloomfield Boyd (24 July 1920 – 24 April 1999) was a leading Australian painter of the late 20th century. Boyd's work ranges from impressionist renderings of Australian landscape to starkly expressionist figuration, and many canvases feature both. Several famous works set Biblical stories against the Australian landscape, such as ''The Expulsion'' (1947–48), now at Art Gallery of New South Wales.
Boyd was a member of the Antipodeans, a group of Melbourne painters that also included Clifton Pugh, David Boyd, John Brack, Robert Dickerson, John Perceval and Charles Blackman.
The Boyd family artistic dynasty includes painters, sculptors, architects and other arts professionals, commencing with Boyd's grandfather Arthur Merric Boyd, Boyd's father Merric and mother Doris, uncles Penleigh Boyd and Martin Boyd, and brothers Guy and David. Mary Boyd, his sister and also a painter, married first John Perceval, and then later Sidney Nolan, both artists. Boyd's wife, Yvonne Boyd (''née'' Lennie) is also a painter; as are their children Jamie, Polly, and Lucy.
In 1993, Arthur and Yvonne Boyd gave family properties comprising at Bundanon on the Shoalhaven River to the people of Australia. Held in trust, Boyd later donated further property, artwork, and the copyright to all of his work.
==Early years and background==

Boyd was born at Murrumbeena, Victoria into the artistic dynasty Boyd family, the son of epileptic Merric Boyd and his wife Doris, both potters and painters. Both of Boyd's elder brothers were artists; David was a painter, and Guy a sculptor. After leaving school aged 14 years, Boyd briefly attended night classes at the National Gallery School in Melbourne where Jewish immigrant artist Yosl Bergner influenced Boyd's humanitarian values and social conscience. Boyd later spent several years living on the Mornington Peninsula with his grandfather, the landscape painter Arthur Merric Boyd, who nurtured his talent. Early paintings were portraits and of seascapes of Port Phillip created while he was an adolescent, living in the suburbs of Melbourne. He moved to the inner city where he was influenced by his contact with European refugees. Reflecting this move in the late 1930s, his work moved into a distinct period of depictions of fanciful characters in urban settings.
Boyd was conscripted in 1941 and served with the Cartographic Unit until 1944. Although he did not see active duty, Boyd's expressionistic wartime paintings, including images of cripples and those deemed unfit for war service, were considered painful images of the dispossessed and the outcast.〔

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